𝙙𝙞𝙨𝗮𝗿𝗺𝗶𝗻𝗴 III
Wibke Storkan, a dancer bodily experienced in improvisational dance with human and unanimated non-human co-performers, was asked to improvise a contact dance together with the learning robotic arm ReBel while being especially attentive to intra-acting in a non-hierarchical manner despite her modality and semantic differences.
My role in it was to create a setting in which the learning is stretched and inefficient, opening a space to observe one’s own projections and the multiplicity of relationships emerging and transforming between oneself, the robotic arm, the human performers, the surroundings, and others.
Core team
Emanuel Gollob – research, concept & production
Wibke Storkan – dancer, performer
Advice and support
Emmanuel Witzthum – curatorial mentoring
Creative Robotics – robotic hardware support
Duration | 25 Minutes
References excerpt
Barad, Karen. Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning. Duke University Press Books; Second Printing edition (July 1, 2007)
Penny, Simon. Making Sense: Cognition, Computing, Art, and Embodiment. The MIT Press (2019)
Riskin, Jessica. Genesis Redux: Essays in the History and Philosophy of Artificial Life. University of Chicago Press (2007)
Slager, Henk. The Pleasure of Research. Hatje Cantz Verlag (2015)